収束ゾーンでのライフ: Life in the Convergence Zone

Katya Volskaya's government in Russia has destroyed the omnium Koschei, and held their own against the Gods of Oasis. But with Jesse McCree having upset a precarious balance, Lena, Hana, and Sombra have intervened in Russia's rising civil war. Now, what little stability Overwatch had managed to maintain seems on the verge of disintegration...

...Torbjörn is relieved that Reinhardt is leaving Nepal, and particularly relieved that he is taking Brigitte with him.

Of Gods and Monsters: The Arc of Conflict
Saga 17: The Knight, the Squire, and the King in His Castle
solarbird and bzarcher

Of Gods and Monsters: The Arc of Conflict is a continuance of The Arc of Ascension, The Arc of Creation, and In the Beginning, there was an Armourer and a Living Weapon. It will be told in a series of eddas, sagas, interludes, fragments, texts, and cantos, all of which serve their individual purposes. To follow the story as it appears, please subscribe to the series.

The new gods have risen, ready, at last, to grapple with a world of heroes. Moira O'Deorain herself has been reborn, now made one of the creations her previous self meant to rule, and she works with her wife - the goddess Mercy - and their ensemble of new deities to remake the world, to improve it... for everyone.

Of Gods and Monsters: The Arc of Ascension
Saga 7: Dancing Around the Table
solarbird and bzarcher

Korea hangs on the precipice of destruction, waiting for the next attack of the Giant Omnics created by the omnium in the China Sea. MEKA Lieutenant Hana Song, formerly of the reborn Overwatch, stands as one of their best and brightest hopes for a future free of fear. But when an old friend comes with an unbelievable offer, she has to ask herself how far she is willing to go, and who she is willing to trust.

Of Gods and Monsters: The Arc of Ascension is a continuance of Of Gods and Monsters: The Arc of Creation, a side-step sequel to The Armourer and the Living Weapon. It will be told in a series of eddas, sagas, interludes, fragments, texts, and cantos, all of which serve their individual purposes. To follow it as it appears, please subscribe to the series.