We had a good full-cast rehearsal last night. The Henches performed well. We tweaked the script a bit more, in details, adding some fun. Five-person cast! Props! Captain America’s shield is super-shiny. The sashes I made for the Hench crew look good.
If you missed them before:
This is going to be fun. Saturday, 2pm. Watch the twitter feed for location. :D
Facebook Now Lets US Users Pay $7 To Promote Posts To The News Feeds Of More Friends
Facebook wants you to pay $7 to promote your posts
WELCOME TO PAGE-OWNER HELL. XD
Actually, it's not as bad. Page owners, if they don't pay, have 80% of their posts hidden from subscriber/"Like"er news feeds. They're just never propagated. Individual users - for the moment - will still see posts appear in their friends' news feeds, but! they'll be scaled up and down the page depending upon whether you paid or not.
I'd like to think that this would make people go, "y'know what? Fuck this noise." But I don't think it will.
Remember this XKCD?
I am staring at Mission. Fucking. Accomplished. in my spam queue right now. In response to my post last week about studio monitors and the importance of flat frequency response curves:
Why have I included a frequency-response curve here? I mentioned earlier that the frequency-response curves in a sales brochure are typically meaningless in terms of providing information that’s useful to an end user. Actually, though, I’d go further than that, and suggest that in many respects making any judgment about the worth or likely value of a monitor by examining its frequency-response curve is not far short of pointless. I often read opinions on the SOS Forum arguing that to be of any value monitors require a ‘flat frequency response’, but numerous recordings made during what many would consider the golden age for musical sound quality (the ’60s and ’70s) were monitored on speakers that were all over the place in terms of frequency response — and I don’t know why recording engineers seem to believe so strongly that a monitor should be anechoically ‘flat’ when so much end-product evidence suggests that this isn’t particularly important.
Constructive. Relevant. Interesting. Starts an argument. And the blocked-out information reveals it to be a spambot.
I kind of want to approve it! I’m not. I’m going one further: elevation to top of post, and addressing the spambot’s point, since it had one. Congratulations, spambot, well done: you’ve earned it.
My response, I suppose, would be that the nonflat monitor speakers of the time were reasonably accurate representations of average home speakers, which were nowhere near flat either.
And once you got into the era of flat response curves being achieved, followed by an era of goosing-by-design (rather than nonflat-by-technological limitations), it became necessary to move to a neutral reference base for studios. Simply put, you can’t try to guess all the many ways that people intentionally-off-flat-response systems, so don’t try to optimise for any of them; optimise instead for the average of all of those systems.
I’d also argue that the late 60s weren’t my idea of a golden era of recording. There are some fantastic jazz and classical recordings from the era, absolutely, but a lot of rock and pop was still very fuzzy and often kind of muddled. To my ear, recording continued to improve up until the Loudness Wars – with a hiccough as everyone learned to deal with digital equipment – and that’s fashion, not technology.
So that’s why I still argue that in the current era going for flat – or reasonably close to it – is the best idea.
Your move, spambot. I’ll be checking the queue.
it’s not your fault… or is it?
Welcome to October! October, the month that feels like going home, the month of falling leaves, of horror movies, of Halloween, of rainy season, of no more flowers but not yet snow, of the Great Pumpkin, and of Wild Chickens. They go for the kill.
I’m in more of a Poison Ivy mood, even if DC Comics probably screwed her up too in the reboot. (<RAEG>GIVE ME BACK MY POISON IVY/HARLEY QUINN YOU ASSHOLES!</RAEG>) We spent a lot of time this past summer trying to beat back the local strangleweeds, debating over which was the leader. Now, as far as I’m concerned, it all has to end in fire, but who do you think is in charge of the Cascadian botanical apocalypse?
Reveal the Leader of the Cascadian Botanical Apocalypse!
- [ ] Horsetail
- [ ] Tickievine
- [ ] Blackberry
- [ ] Laurel
- [ ] Morning Glory
- [ ] ADDED: English Ivy (second four horseplants, nr. 1)
- [ ] ADDED: Scotch Broom (second four horseplants, nr. 2)
- [ ] ADDED: Japanese Knotweed (second four horseplants, nr. 3)
- [ ] ADDED: Wisteria (second four horseplants, nr. 4)
And for those of you not lucky enough to live in the Republic, what’s going to engulf your world come the Ragweednarok? As always, if the answer you want isn’t here, DO NOT VOTE, but instead put it in comments. I will add it, and you can vote for it then.
Reveal the Leader of Your Botanical Apocalypse!
- [ ] French Climbing Rose
- [ ] Tickietree!
- [ ] Kudzu
- [ ] Honeysuckle
- [ ] Scotch Broom
- [ ] Salt Cedar
- [ ] English Ivy
- [ ] ADDED: Giant Hogweed
Yes, it’s Commander Riker. In Saunapants. RedARERT!
PS: Don’t forget that tickiebox is your master now! Also the latest Cracksman Betty song, I’m a Rover, Live at Juanita Bay. Enjoy!