Recording is frustrating; Audacity, doubly so. See the bottom section if you care for the particulars; the picosummary is that Audacity's equalisation model drives me batshit and turns 30-second tasks into hour-long frustration and failures. Fun! It also throws out data a lot and a bunch of things don't work right on OSX. But I can work around these problems.
What I haven't been able to work around is the highly-compressed (wooshy-noise compressed) AM-radio equalisation it wants to give everything I record. Obviously this is not good. I don't know why it's doing it. I know the microphone doesn't do that; I've tried it with both my external soundcard toy and the onboard soundcard, and that does matter, because the onboard is better at that, but even worse with equalisation.
So, I'm willing to turn our Windows file server into a dualboot Winserver/Linux audio workstation so I can run some of this stuff on its primary target OS. Right now my plan is to install the Ubuntu Studio OS variant, since it includes Ardour out of the gate anyway. But I don't know whether it supports, say, this input device, or another similar input device of similar or lower cost but of reasonable fidelity.
I that people on my friendslist have done this sort of thing, and I'm hoping one or more of you can tell me what you did, because this is driving me spare. I don't have a particular interest in setting up a recording studio, I'm just trying to get something to the point where I can record things with reasonable fidelity, and not like ass. (Multitrack recording would be nice, eventually, but I can deal fine with one track at a time. There's just the one of me, after all.)
So, um... help for the clueless? What hardware and software are you using?
Audacity WTFery below if anyone cares
Audacity for OSX has a sincere and vibrant love of track deletion. For example, why does hitting the DELETE key on a selected range delete everything in all tracks? For whom is that function useful? Why does Audacity sometimes decide to start autodeleting the contents of every new track I make? ARE YOU TRYING TO SEND ME A MESSAGE, AUDACITY? Why does it take two quit-and-restarts to make it stop doing this? (Seriously, this makes me miss reel-to-reel decks and razor blades, it really does.)
Why does hitting record start a new track instead of using the blank track with the characteristics you want that you just made? Why is the new track sometimes stereo and sometimes mono?
Why is equalisation a post-recording non-live non-realtime filter? Why does it only give three seconds of preview no matter what you tell Preferences about desired preview length? Why doesn't preview actually preview what's shown but instead what was last saved, dumped out of memory, and reloaded? (Seriously, that's the only thing that makes it work.) Why is the least bad version of the eq interface the one where you're editing a B-spline? Why is editing the B-spline so silly and involving of so many point edits? Why does the B-spline generator ignore some of your spline anchors sometimes? Why does cancel sometimes sekritly mean OK? (Fortunately, undo does mean undo, even to Audacity. It has that much right.)
I know people use this software, tho' I don't know how many if any of them use it on OSX. Idly - how?
What I haven't been able to work around is the highly-compressed (wooshy-noise compressed) AM-radio equalisation it wants to give everything I record. Obviously this is not good. I don't know why it's doing it. I know the microphone doesn't do that; I've tried it with both my external soundcard toy and the onboard soundcard, and that does matter, because the onboard is better at that, but even worse with equalisation.
So, I'm willing to turn our Windows file server into a dualboot Winserver/Linux audio workstation so I can run some of this stuff on its primary target OS. Right now my plan is to install the Ubuntu Studio OS variant, since it includes Ardour out of the gate anyway. But I don't know whether it supports, say, this input device, or another similar input device of similar or lower cost but of reasonable fidelity.
I that people on my friendslist have done this sort of thing, and I'm hoping one or more of you can tell me what you did, because this is driving me spare. I don't have a particular interest in setting up a recording studio, I'm just trying to get something to the point where I can record things with reasonable fidelity, and not like ass. (Multitrack recording would be nice, eventually, but I can deal fine with one track at a time. There's just the one of me, after all.)
So, um... help for the clueless? What hardware and software are you using?
Audacity WTFery below if anyone cares
Audacity for OSX has a sincere and vibrant love of track deletion. For example, why does hitting the DELETE key on a selected range delete everything in all tracks? For whom is that function useful? Why does Audacity sometimes decide to start autodeleting the contents of every new track I make? ARE YOU TRYING TO SEND ME A MESSAGE, AUDACITY? Why does it take two quit-and-restarts to make it stop doing this? (Seriously, this makes me miss reel-to-reel decks and razor blades, it really does.)
Why does hitting record start a new track instead of using the blank track with the characteristics you want that you just made? Why is the new track sometimes stereo and sometimes mono?
Why is equalisation a post-recording non-live non-realtime filter? Why does it only give three seconds of preview no matter what you tell Preferences about desired preview length? Why doesn't preview actually preview what's shown but instead what was last saved, dumped out of memory, and reloaded? (Seriously, that's the only thing that makes it work.) Why is the least bad version of the eq interface the one where you're editing a B-spline? Why is editing the B-spline so silly and involving of so many point edits? Why does the B-spline generator ignore some of your spline anchors sometimes? Why does cancel sometimes sekritly mean OK? (Fortunately, undo does mean undo, even to Audacity. It has that much right.)
I know people use this software, tho' I don't know how many if any of them use it on OSX. Idly - how?