solarbird: (Default)
[personal profile] solarbird
Look, it's a poll! About emotional crap. This is, of course, triggered by things which have happened recently, and, to a lesser degree, by things which have happened often over the last couple of years, and to a still lesser degree, by things I've been working on since forever. But it's been a while I've done any surveying like this.

These are all questions about how others see me and my attempts to communicate my emotions. I can't make polls anonymous, or I would. I hope you'll answer honestly despite that. No one who reads this journal is involved in the most recent thing which prompted this survey, so this isn't a SEKRIT MESSAGE to anybody.

[Poll #1745043]

Date: 2011-05-26 08:10 pm (UTC)
callibr8: icon courtesy of Wyld_Dandelyon (Default)
From: [personal profile] callibr8
Good luck with the recalibration efforts. Everyone needs reality checks sometimes.

Please be gentler with yourself, though. You've structured the questions in an easy-to-answer-negatively way, and i hope you don't *mean* it to be so skewed.

Also, the "my music" topic needs more options. I find your music fascinating, complex, unpredictable (because i'm used to Western conventions of musical composition)... I enjoy the melodies, but I'll admit that sometimes I can't understand the words very well because they're shouted/belted rather than "sung". I can demonstrate the difference sometime, using a couple of Echo's Children songs, if you're interested.

As far as your musical "chops", btw, I respect them tremendously and have been delighted to see you venturing farther into the musical performance world, and finding success there.

Date: 2011-06-02 02:15 pm (UTC)
maellenkleth: (Hocket-musik)
From: [personal profile] maellenkleth
Piling on here, since (for whatever reason of disorganisation on my part) I completely missed the original poll (at least **I** did) -- translation will always suffer from the problem of disjunct lexicons. If I try to parse your communications as being human ones, they come out muddled. That's an inescapable consequence of the human and elf lexicons' being noncongruent in detail.

If humans are absent from the interaction, which is a rare circumstance in my experience, then **yes** it's easier to leave the communication within elf terms, which map more directly. In elf terms, you're easy to read.

I have not thought-through the interesting side question of how the lexical noncongruence impacts human's reception of musical performance. Interesting question, for which I thank you for having inspired it however indirectly.

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