Feb. 18th, 2014

solarbird: (music)

Last week, I posted a work-in-progress roughmix of an instrumental track from the upcoming Free Court of Seattle book series soundtrack album.

I also posted the bass instrument, in excerpt form, as a solo track. It sounds like a a double bass (a.k.a. standup base) but, as I told everyone, it wasn’t that; I made something else into a double-bass, with studio tricks. And I challenged people to figure out what it was originally.

I’m afraid nobody got there. A couple of people got into the right category (“tonal percussion instruments”), then wandered back out again, because they kept being sure it had to be bowed, even after I said it wasn’t.

Because nobody guessed correctly, I’m assigning numbers and doing a random winner drawing from everyone who tried, across all reposts I know about! A d20 will work, which is convenient, so dice roll please…

THE WINNER IS DAVID, FROM THE ORIGINAL POST! Email me, David! Also I’ll send email if you left a valid one associated with your username.

As to the actual answer…


A Hammer Dulcimer

YES, REALLY. I thought I was tipping my hand, talking about the mysterious “bass instrument” at the same time that I was talking about Ellen’s hammer dulcimer, but I guess not!

The discovery was entirely accidental – particularly the bow sounds. That’s not hard work; that’s a processing artefact, I guess. I honestly don’t know.

Basically, I needed something to fill in down there, frequency-wise, to give the track some body. Usefully but separately, I had put four microphones on Ellen’s dulcimer, recording four tracks off it, with one in particular set up to pick up as much low end as her instrument could give me. But it didn’t pick up any more low-end than the bass bar microphone, and it also picked up a really “thunk”-heavy sound – every hammerblow got exaggerated. It didn’t add anything positive, so I was going to leave it out.

So I had a recording I wasn’t going to use anyway, and a need for something bassy. Using the built-in Ardour octave shifter, I dropped it two octaves to see how that sounded. The answer was “still terrible, and if possible, even worse.” I poked around with it, trying various things, and the answer kept being “terrible.” Less so, but still.

Then, on a whim, I dropped it another octave, and a miracle occurred.

I don’t know how, but suddenly I could hear bow noises – probably what happened to the thunk sounds – in a recording of an instrument that just plain sounded like a double-bass. Filter out the subsonics, and it became clearer. Filter out the high-end harmonics and again, clearer. After that, it was just treating it like a standup bass.

And I have no idea why. But damn, I am using this trick forever. :D

Mirrored from Crime and the Blog of Evil. Come check out our music at:
Bandcamp (full album streaming) | Videos | iTunes | Amazon | CD Baby

solarbird: (fascist sons o bitches)

John Scalzi, Mary Robinette Kowal, and Ursula Vernon have teamed up to form the Insect Army, in response to one SFF.net pro-petition writer, who said:

“The problem is that the ‘vocal minority’ of insects who make up the new generation of writers don’t scramble for the shadows when outside lights shines on them – they bare their pincers and go for the jugular. Maybe it is a good thing that SFWA keeps them locked up. The newer members who Scalzi et al. brought in are an embarrassment to the genre.”

God, all those people who Aren’t Us and Don’t Know Their Goddamn Place. Anyway, go read John’s post, Ursula has some hilarious art.

I’ve got actual work to do so need not to be writing about this today. But if I see any other good links, I’ll add them here.

eta:


Recent related posts:
     What is being lost
     A Friday of Followups
     A Horrible Group of People
     An Embarrassing Stumble Towards Irrelevancy
     Collection: The SFWA, Sexism, and Racism Posts

Mirrored from Crime and the Blog of Evil. Come check out our music at:
Bandcamp (full album streaming) | Videos | iTunes | Amazon | CD Baby

solarbird: (Lecturing)

This collection covers posts made in reaction to various sexism and racism explosions in geek culture. Topics include the Hugo Award, SFWA, and PAX controversies, as well as commentary on queer erasure with particular regard to Legend of Korra and Wikipedia, but also in other areas.

If you’re a guy, particularly, and still don’t think sexism and outright misogyny are a problems in geekdom, I hope you’ll read Power and Supervillainy, and then Gatekeeping and Recourse: what only men can do against sexism in geek culture.

And now, the list of posts, by topic:

The 2015 Hugo Capture – how a political slate captured nearly all literary nominations:

Legend of Korra, Korrasami, and Queer Erasure (attempted):

General geek culture; also GamerGate, and PAX related posts:

SFWA and petition-to-SFWA related:

Mirrored from Crime and the Blog of Evil. Come check out our music at:
Bandcamp (full album streaming) | Videos | iTunes | Amazon | CD Baby

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