Entry tags:
Recalibration
Look, it's a poll! About emotional crap. This is, of course, triggered by things which have happened recently, and, to a lesser degree, by things which have happened often over the last couple of years, and to a still lesser degree, by things I've been working on since forever. But it's been a while I've done any surveying like this.
These are all questions about how others see me and my attempts to communicate my emotions. I can't make polls anonymous, or I would. I hope you'll answer honestly despite that. No one who reads this journal is involved in the most recent thing which prompted this survey, so this isn't a SEKRIT MESSAGE to anybody.
[Poll #1745043]
These are all questions about how others see me and my attempts to communicate my emotions. I can't make polls anonymous, or I would. I hope you'll answer honestly despite that. No one who reads this journal is involved in the most recent thing which prompted this survey, so this isn't a SEKRIT MESSAGE to anybody.
[Poll #1745043]
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I also know I made a lot of mistakes in early interactions and my own miscommunications and boundary issues, which has made me extra sensitive in regards to you and yours lest I tread that line again.
So, yeah, intimidating, but in good ways as someone I like a lot and don't want to accidentally push away. :)
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I don't know how much help my responses will be, since I don't understand humans, either.
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You're strongly opinionated and sometimes blunt. Maybe that bothers some folks? I don't really mind either of those things but I've noticed people sometimes think I'm pissed about, or heavily invested in, a matter I may not even particularly care about just because I debate it with them.
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Please be gentler with yourself, though. You've structured the questions in an easy-to-answer-negatively way, and i hope you don't *mean* it to be so skewed.
Also, the "my music" topic needs more options. I find your music fascinating, complex, unpredictable (because i'm used to Western conventions of musical composition)... I enjoy the melodies, but I'll admit that sometimes I can't understand the words very well because they're shouted/belted rather than "sung". I can demonstrate the difference sometime, using a couple of Echo's Children songs, if you're interested.
As far as your musical "chops", btw, I respect them tremendously and have been delighted to see you venturing farther into the musical performance world, and finding success there.
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Still, it does tell me that even of those percentage of people who do have enough emotional engagement with me to answer, nearly 45% find me emotionally confusing and/or difficult to connect with emotionally. (Some of the people who selected "other" gave answers which I include in that percentage.) This is somewhat disappointing as this is the higher-connection self-selecting subset, which means that the actual percentage is likely even higher.
A bit of context: I'm an elf; I have to work very, very hard to translate my emotional signals into the signal sets humans expect, because otherwise the signals match up... poorly. So everything is translated, to lesser or greater degrees. And I have to do all the back-translation as well, since nearly nobody is going to try to reciprocate that and talk to me on my terms. (This is a source of no small resentment, and occasional disaster, but not doing it is much worse.)
The data are implying that I'm not doing as good a job as it as I'd hoped; honestly, I think I'm doing a worse job of it now than I have in the past. The data are also implying that the music, despite its non-customary form, is suffering less badly from this; that's very good.
(And I didn't give more answer options about the music because I'm investigating this specific property and don't want to distract from it. But if you'd like to volunteer other options, go ahead!
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If humans are absent from the interaction, which is a rare circumstance in my experience, then **yes** it's easier to leave the communication within elf terms, which map more directly. In elf terms, you're easy to read.
I have not thought-through the interesting side question of how the lexical noncongruence impacts human's reception of musical performance. Interesting question, for which I thank you for having inspired it however indirectly.
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A second thing is that you're very analytical and have a very good vocabulary. This often comes across as a social dominance maneuver. It doesn't matter that this is not your intent. This is how most people with average/slightly above average vocabularies tend to interpret it.
Moreover, there's people interested in results and people interested in process. People interested in results tend to favour strategies other than analysis because analysis is difficult to do, difficult to "sell", and easy to mis-communicate (as opposed to fail to persuade). Using a technique like that successfully would tend to pose a risk of making "results" people feel inferior. For process oriented people, analytical-verbosity is just going to remind them of a teacher or authority figure and depending what countervailing data they have about you could influence their impression of you.
Now, your general syntax in blogging is actually fairly informal (so you're not _emphasizing_ your vocabulary like I am here) which would mitigate this issue, but I doubt it would entirely reduce it.
Not sure if either really applies to you, but it might. Thought I'd throw that out there.
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You mean intent isn't magical? XD