収束ゾーンでのライフ: Life in the Convergence Zone

a late night thought on the cybertruck

Fri, 08 Dec 2023 15:49:27 GMT

I know that some people are going to see a Cybertruck and be mad that someone actually bought one of these monstrous things from the babyman fascist who runs Tesla.

Be mad if you want, but don’t act mad. Not at them, not visibly.

If you really need to react then… laugh. Laugh unexpectedly, like you can’t believe what you’re seeing.

Laugh at the fugly truck, in that “oh my gods, you actually bought one of those stupid things?” way. In that “trying not to be seen laughing at you but I can’t stop oh my gods it’s so stupid looking I can’t believe it’s real” kind of way.

If you’re with a friend, and they’re in on it, suppress a laugh, poke your friend and get them to look and have them try not to laugh in that “oh my gods I’m so embarrassed for you” way.

Because let’s face it: it is hilarious, in so many ways. It’s worse than a Nissan Cube and far worse than a Ford Edsel, and so many other vehicles. It’s a 20% rendered bunker vehicle and if you think stainless steel is a good idea for a car body, ask any DeLorian collector how that plays out.

Particularly once you get a dent in it. Which you will.

And besides, a lot of Muskovites, they’re fine with angry strangers. They know how to sneer and feel superior in the face of that.

But being laughed at, though?

Not as much. xD

Posted via Solarbird{y|z|yz}, Collected.

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re-use before recycle

Wed, 29 Nov 2023 08:49:13 GMT

This is neat, a startup using batteries from electric automobiles which have lost too much capacity for the road, but still have substantial charge value, as power-grid reserve power banks. At scale, even, already.

Posted via Solarbird{y|z|yz}, Collected.

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FINE. I'll do it MYSELF.

Wed, 17 Jul 2019 05:44:03 GMT

Oh, so you don't want to sell your special rack system accessories to north america, weird German bicycle rack maker? Is that how you're going to play it? You're gonna put special agreements in your reseller contracts so none of them can ship here either? Not even on German eBay?

WELL FINE I'LL JUST MAKE SOME.

I will reverse-engineer your goddamn system and make it out of matching metal and I'll do it with WOOD TOOLS because THAT'S WHAT I HAVE. I will turn a $5 garage-sale corded drill into a METAL GRINDER. I will turn LEFTOVER ALUMINIUM sized in ENGLISH UNITS into COUNTER-STRESSED SELF-STABLE OBJECTS that fit your METRIC racks and I will do it with my HANDS and SANDPAPER.

And you know what's holding it all together? Do you? Huh? Even after I kind of accidentally tossed it across the room onto the cement floor? See how it stayed together? Perfectly? Unchanged? Do you, German maker of weird bike racks?

It's not glue! It's not screws! It's PRECISION. As in PRECISION. CASCADIAN. ENGINEERING.

And also spite.

But mostly the engineering.

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and the winner is

Tue, 18 Feb 2014 17:02:21 GMT

Last week, I posted a work-in-progress roughmix of an instrumental track from the upcoming Free Court of Seattle book series soundtrack album.

I also posted the bass instrument, in excerpt form, as a solo track. It sounds like a a double bass (a.k.a. standup base) but, as I told everyone, it wasn’t that; I made something else into a double-bass, with studio tricks. And I challenged people to figure out what it was originally.

I’m afraid nobody got there. A couple of people got into the right category (“tonal percussion instruments”), then wandered back out again, because they kept being sure it had to be bowed, even after I said it wasn’t.

Because nobody guessed correctly, I’m assigning numbers and doing a random winner drawing from everyone who tried, across all reposts I know about! A d20 will work, which is convenient, so dice roll please…

THE WINNER IS DAVID, FROM THE ORIGINAL POST! Email me, David! Also I’ll send email if you left a valid one associated with your username.

As to the actual answer…

A Hammer Dulcimer

YES, REALLY. I thought I was tipping my hand, talking about the mysterious “bass instrument” at the same time that I was talking about Ellen’s hammer dulcimer, but I guess not!

The discovery was entirely accidental – particularly the bow sounds. That’s not hard work; that’s a processing artefact, I guess. I honestly don’t know.

Basically, I needed something to fill in down there, frequency-wise, to give the track some body. Usefully but separately, I had put four microphones on Ellen’s dulcimer, recording four tracks off it, with one in particular set up to pick up as much low end as her instrument could give me. But it didn’t pick up any more low-end than the bass bar microphone, and it also picked up a really “thunk”-heavy sound – every hammerblow got exaggerated. It didn’t add anything positive, so I was going to leave it out.

So I had a recording I wasn’t going to use anyway, and a need for something bassy. Using the built-in Ardour octave shifter, I dropped it two octaves to see how that sounded. The answer was “still terrible, and if possible, even worse.” I poked around with it, trying various things, and the answer kept being “terrible.” Less so, but still.

Then, on a whim, I dropped it another octave, and a miracle occurred.

I don’t know how, but suddenly I could hear bow noises – probably what happened to the thunk sounds – in a recording of an instrument that just plain sounded like a double-bass. Filter out the subsonics, and it became clearer. Filter out the high-end harmonics and again, clearer. After that, it was just treating it like a standup bass.

And I have no idea why. But damn, I am using this trick forever. :D

Mirrored from Crime and the Blog of Evil. Come check out our music at:
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talking of code

Tue, 20 Aug 2013 23:16:59 GMT

Courtesy Criacow, this… this is beautiful.

My contribution, were I to make one, would possibly be:

#define fork sleep(1);fork

For once, do read the comments.

Mirrored from Crime and the Blog of Evil. Come check out our music at:
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spaceship disaster simulator

Fri, 24 May 2013 20:31:47 GMT

This is epic – it’s a spaceship disaster simulator built into a caravan. Lots more details at the link, but here’s the video:

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pinky fingers sounds like a pickpocket pianist from the jazz age

Fri, 03 May 2013 18:53:58 GMT

Apparently whether you can be a great violinist resides in large part in your left pinky finger. I mean, it’s the kind of thing that makes more sense once you read it, but who knew? I wonder how many serious violinists and fiddlers can’t do that. I’ve always had a large amount of “yeah? go fuck yourself” to “you can’t do that,” so I wonder whether this is one of those brick walls I’d throw myself against.

Tho’ not literally, because I have that left pinky finger property. Which clearly in and of itself does not make you a great violinist, because “Doctor, will I be able to play fiddle once the cast comes off?/Yes, yes, you’ll be fine!/That’s weird, I couldn’t play the fiddle before!” I guess you have to study and practice and stuff. But I do have the viLOLin – the $36 violin I picked up at a pawn – and I do want to learn to play sometime.

But that’s the thing, isn’t it? Too many pieces, too many parts, too many things to learn in not enough time. For me, it’s a bunch of music things, and languages. Now there’s a brick wall I throw myself against – I’m great at grammars, my accents are too good (in that people assume I’m fluent or even native-speaker and firehose at me), but I can’t learn vocabulary to save my life. As in, I’m so bad at it, my secondary school let me out of the language requirement, as long as I just kept trying.

Really, that’s what I need the brain enhancement for: memorisation. Particularly of language vocabulary, but not just that. If I could stick a chip in my brain and fix that? SIGN ME THE FUCK UP.

Should that be a poll? “What enhancement would get you to try it?” That might be fun. Suggestions in comments, if you got ‘em.

Mirrored from Crime and the Blog of Evil. Come listen to our music!

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going to get the car

Fri, 16 Nov 2012 17:10:42 GMT

Going to get the stupid car today. The shop in Kelso can’t find the problem – or even recreate the problem so far – so we’ll be driving north in a tiny convoy, and I’ll have AAA on speed dial.

So here, have a Friday amusement. Seattle’s big passenger rail depot, King Street Station, is being restored. It’s been a huge undertaking and I’m really excited about it as someone who rides Cascadia Rail a lot.

Where it’s built faces two substantially different street levels; King Street is low, and Jackson Street is rather higher. So there’s an upper plaza while the rails, ticketing, and waiting rooms are down on the lower level. Originally, the Grand Stairwell connected the two, and you had entrances on both levels; the stairwell has been closed for decades, but they’re restoring it.

I just found out today that the Grand Stairwell was originally narrowed – but not yet closed – in 1949, to add escalators. I’d never even known those were there, as they’ve also been closed for decades. And following some threads on the construction update I was reading, I found this:

I WANT THAT SIGN FOR THE LAIR. NOW.

I’d steal it but according to SDOT in this thread, it was gone by the time they took over the station. So sad.

The station took the most damage in the 1960s (…of course…) as it was “modernised” with drop ceilings and and and. Thankfully, in the main waiting area, they did not rip out all the ornate plaster and marble work, but instead hid much of it, semi-intact, behind new material. More of it had to be removed – temporarily this time – for the seismic retrofit, but it’ll be coming back, along with repairs and replacements for the 1960s damage.

There are about eight zillion photographs here, and notes here.

Find some of the pre-restoration photos of the station if you can. That was just sad.

This weekend for me, assuming we make it back in one piece: more recording with Leannan Sidhe, then prep for Second Thanksgiving at the Lair. What’ve you got?

Mirrored from Crime and the Blog of Evil. Come listen to our music!

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late enough for better equipment; early enough to be easy to analyse

Wed, 23 Mar 2011 07:20:54 GMT

I wish I'd listened to Steely Dan's "Pretzel Logic," title track for the album Pretzel Logic, analytically, on headphones, a year ago. Or even six months ago. It's recorded late enough that they have really good equipment and late enough that they're getting adventurous, but not late enough that they're getting too complex and difficult to figure out by listening.

I probably wouldn't've known enough yet to pick up the lessons. But you never know. I might've.

Drums will be handled differently on Din of Thieves. So will anything on keyboards, which for me isn't much, but isn't zero. It'll be cool.

(Also, listen to the acoustic rhythm guitar on "Any Major Dude Will Tell You," same album. See what they did there? Write that down. But don't repeat it on the tambourine like in "Barrytown." That's just annoying.)

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