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  <id>tag:dreamwidth.org,2009-05-01:175704</id>
  <title>収束ゾーンでのライフ: Life in the Convergence Zone</title>
  <subtitle>cheers, love - the cavalry's queer!</subtitle>
  <author>
    <name>solarbird</name>
  </author>
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  <updated>2012-06-16T21:38:01Z</updated>
  <dw:journal username="solarbird" type="personal"/>
  <entry>
    <id>tag:dreamwidth.org,2009-05-01:175704:1103025</id>
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    <title>faerie blood RELEASE</title>
    <published>2012-06-16T21:36:12Z</published>
    <updated>2012-06-16T21:38:01Z</updated>
    <category term="low orbit"/>
    <category term="weird"/>
    <category term="preorders"/>
    <dw:music>The Real Folk Blues | Yoko Kanno</dw:music>
    <dw:mood>accomplished</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;p&gt;One of the projects I&amp;#8217;m working on is a soundtrack for a fantasy novel series by &lt;a href="http://www.angelakorrati.com/"&gt;Angela Korra&amp;#8217;ti&lt;/a&gt;. The trilogy is collectively called &lt;i&gt;The Free Court of Seattle&lt;/i&gt;, with first novels &lt;i&gt;Faerie Blood&lt;/i&gt; and &lt;i&gt;Bone Walker&lt;/i&gt;.&lt;/p&gt;
&lt;p&gt;Kickstarter backer copies and pre-orders for &lt;i&gt;Faerie Blood&lt;/i&gt; in electronic form are going out &lt;em&gt;now&lt;/em&gt;, as in, &lt;em&gt;right now&lt;/em&gt;, as in &lt;em&gt;check your inboxes&lt;/em&gt;. The first copies of the print edition should be made &lt;em&gt;this week&lt;/em&gt;, and ship shortly thereafter. Electronic editions will be available through Amazon/Kindle, Apple/iBook, B&amp;#038;N/Nook, Chapters/Kobo, and the rest of the alphabet as the rollout schedule progresses, print editions will come through Third Place Press.&lt;/p&gt;
&lt;p&gt;I&amp;#8217;m the book designer &amp;#8211; hey, I have an art degree, I may as well use it &amp;#8211; and I&amp;#8217;ve restarted my old small press to handle taxes. It&amp;#8217;s weird being back in the small-press saddle. I never thought I&amp;#8217;d typeset &lt;small&gt;&lt;i&gt;LOW ORBIT PUBLICATIONS&lt;/i&gt;&lt;/small&gt; again, much less announce book releases, but, well, here I am!&lt;/p&gt;
&lt;p&gt;I&amp;#8217;m really happy with how this book looks. By which I mean, PDF people? We are Retina-display aware and ready. Because &lt;em&gt;that is just how we roll&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;I also finished one of the original songs for the soundtrack last night. Anna was all jumping up and down at the lyrics.&lt;/p&gt;
&lt;p&gt;This? This is gonna be &lt;em&gt;good&lt;/em&gt;.&lt;/p&gt;
&lt;p style="text-align: right"&gt;&lt;small&gt;Mirrored from &lt;a href="http://crimeandtheforcesofevil.com/blog/2012/06/faerie-blood-release/" title="Read Original Post"&gt;Crime and the Blog of Evil&lt;/a&gt;. Come &lt;a href="http://music.crimeandtheforcesofevil.com"&gt;listen to our music&lt;/a&gt;!&lt;br /&gt;&lt;a target="_blank" href="http://solarbird.livejournal.com"&gt;&lt;img border="0" src="http://crimeandtheforcesofevil.com/images/livejournal-button.gif"&gt;&lt;/a&gt;
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  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-05-01:175704:77449</id>
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    <title>Electronic release and CD pre-orders!</title>
    <published>2011-03-03T20:09:06Z</published>
    <updated>2011-03-04T00:39:31Z</updated>
    <category term="preorders"/>
    <category term="dick tracy must die"/>
    <category term="crime and the forces of evil"/>
    <dw:music>Ritsuko | 鷲巣　詩郎</dw:music>
    <dw:mood>accomplished</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>8</dw:reply-count>
    <content type="html">&lt;p&gt;All the mastered tracks for &lt;i&gt;&lt;a href="http://music.crimeandtheforcesofevil.com"&gt;Dick Tracy Must Die&lt;/a&gt;&lt;/i&gt; have now been uploaded to the website for listening and purchase!&lt;/p&gt;
&lt;p&gt;I really hope people will go listen to the final version of the album. It&amp;#8217;s been a huge amount of work and an emotional roller-coaster at times, no lie. But I&amp;#8217;m proud of it.
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://music.crimeandtheforcesofevil.com"&gt;&lt;b&gt;This is the electronic release, and you can download it now&lt;/b&gt;&lt;/a&gt;. I&amp;#8217;ve also added to a lot of the liner notes and such, where &lt;a href="http://music.crimeandtheforcesofevil.com/"&gt;we have a lot of thanks given out&lt;/a&gt;.
&lt;li&gt;&lt;a href="http://music.crimeandtheforcesofevil.com"&gt;&lt;b&gt;CD preorders are also now available.&lt;/b&gt;&lt;/a&gt; If you aren&amp;#8217;t likely to run into me any time soon, and need a CD shipped, pre-order through the website. &lt;b&gt;Pre-ordering the CD also gets you immediate downloads&lt;/b&gt;; it&amp;#8217;s all bundled together. Yay, immediate gratification! XD
&lt;li&gt;&lt;a href="http://crimeandtheforcesofevil.com/contact.php"&gt;&lt;b&gt;Direct preorders&lt;/b&gt;&lt;/a&gt;: If you &lt;em&gt;are&lt;/em&gt; likely to run into me (say, at Norwescon), or want to pay by cash or cheque, you can preorder by emailing crime&lt;img src="http://crimeandtheforcesofevil.com/images/at.png"&gt;crimeandtheforcesofevil.com. You&amp;#8217;ll also receive a download code, so immediate gratification still applies! Mostly. XD&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;Also, even if you&amp;#8217;ve listened to songs from the album before? Listen again. Mastering is a collection of subtle arts, and you can hear a lot of them at work on these tracks. It&amp;#8217;s really neat to hear, particularly in the denser studio tracks, and tracks with lots of drum, like &amp;#8220;Stay Away&amp;#8221; and &amp;#8220;Shout at the Desert.&amp;#8221;&lt;/p&gt;
&lt;p&gt;I mean, sure, some of it is obvious; you&amp;#8217;re doing equalisation across tracks, you&amp;#8217;re putting everything to CD/download specifications, you&amp;#8217;re making sure all the levels are compatible, things like that. And there are technical things, like ISRC codes, that nobody much notices, except that&amp;#8217;s how iTunes knows the names of the songs on that CD you just put in the drive.&lt;/p&gt;
&lt;p&gt;But some of it&amp;#8217;s just surprising. In one case&amp;#8230; honestly, I have no idea what he did. But it was like he took an unsharp mask filter and applied it to sound. It was literally like three adjustments, and is apparently a pretty normal thing to do, but&amp;#8230; I have to say, it was a HOW DID YOU DO THAT?! moment.&lt;/p&gt;
&lt;p&gt;There&amp;#8217;s more to talk about, but that&amp;#8217;s for tomorrow. To be continued! (つづく)&lt;/p&gt;
&lt;p style="text-align: right"&gt;&lt;small&gt;Mirrored from &lt;a href="http://crimeandtheforcesofevil.com/blog/2011/03/electronic-release-and-cd-pre-orders/" title="Read Original Post"&gt;Crime and the Blog of Evil&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=solarbird&amp;ditemid=77449" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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