It’s a Roland SC-55 MIDI Sound Canvas from 1991! I can now make all the noises you heard in any videogame in the 1990s.
Cheese Factor Five, Mr. Worf – let’s see what’s out there.
Okay, that’s an exaggeration, but honestly not much of one. I got it from Ben Deschamps via his internet yard sale, for, as he put it, “a six pack.” XD I also had to fix it after it arrived damaged in shipping – I’m pretty sure the post office punted it here from New York State, given how quickly it arrived and how the left side of the front panel was punched in.
But hey, now I can say I’ve repaired a potentiometer. Not replaced: repaired. I did that because it’s custom and weird and was in three pieces. (Also the metal frame was bent, some parts got disconnected and also bent, a bit of the motherboard broke off but I’m pretty sure that was just a little bit of grounding pin and it’s already grounded. And I fixed all that, so it’s all good.)
Anyway, it’s a Roland, and my A-30 MIDI keyboard is also a Roland, and turns out, they know each other! Such a small world. All those useless buttons suddenly do things!
There is also a thunder and rain setting. This is hilarious, mostly because there’s really only one thunder effect, so I can use it exactly once ever. I have no plans to do so, but don’t push me, I got thunder.
not me. okay, kinda me last night. but not really me.
Honestly, though, while I expected mostly to be using it for things easy to get right (bells, chimes, simple pipes, synthy-effects, etc), this is 1990s pro gear. The strings and horns, while definitely cheesy, are much less so than what you find in, say, Garage Band today. With the right tweaking and careful, careful playing – it respects key velocity, aftertouch, all those cool tweaks on my keyboard – I might be able to use more parts of it than I expected, maybe even for the swing jazz version of Lisdoonvarna. That’d be awesome.