oh look, it’s a top-of-post eta: All of Bandcamp’s profits today are going to the ACLU, so that’s awesome. Go cruise around, check other bands not just us, see if there’s anything you like, buy it. Doesn’t have to be our work, just go do the thing, eh?
Anyway, so, yeah. It’s been more than a little bad-crazy and it shows no signs of stopping. Hell, just staying my current degree of sane these days involves a lot of Overwatch, so let’s talk about that.
I’m a Tracer main. I play a good bit of Pharah and D.va and I’m not a half-bad Ana or Zenyatta, but the outright majority of my playtime is Tracer.
One of the things I drive for is damage efficiency. And by that, I mean no “trash damage” – damage done that does not lead to a character elimination. So if I gold medal in damage, and don’t gold in kills and/or objective kills? I’m not playing well, even if we win.
It’s not like with Junkrat, who has so much splatter weaponry, right? Splash damage is part of his game. There’s enough of it that even “trash damage” has impact, just by tying up enemy support. My area of effect, by contrast, is tiny, and therefore, it needs to be effective.
There are four primary offensive stats in Overwatch games: total kills, objective kills, time spent on the objective itself, and total damage. If I get golds in all four, that’s good! But if I gold/gold/gold/silver or gold/gold/gold/bronze (total kills, objective kills, time on objective, total damage)? That’s great. It means I’m not wasting my shots. It says my damage output is disproportionately effective, and says better things, to my mind, then four golds. (And I kind of wish Overwatch acknowledged that.)
So last night, I got gold/gold/gold/NO MEDAL in a victory, which means like no junk damage. Led team in total kills, objective kills, and time spent on objective, despite being no higher than fourth of six in total damage done.
That is some goddamn efficiency.
I don’t think I’ve managed gold/gold/gold/NONE before, and I’m really happy about it.
I’ve got a song I’m writing, “Manic Pixie Murder Machine.” It’s very much not together yet but I think I see where it’s going, and of course, it’s about Tracer. And that is the kind of Tracer I want to be in-game.
Surely some of you have to play Overwatch. Who do you main?
i’m not your goddamn limey waifu honey
i’m a manic pixie murder machiiiiiiiiiiiine
This is the best song you’ll ever hear about a small and dumpy Vancouver mall. Yes, it’s a low bar, but I used to shop there sometimes because it was convenient (it’s in Mt. Pleasant, on Kingsway, I had friends living around there), and this really does kind of capture the place.
Met a few friends of Leannan Sidhe’s, from Shoreline – other musicians with their own band(s) – this weekend, dropping by a joint recording session for a big school project. (They’re all in SCC’s audio engineering and music programme.)
Turns out they know SJ and Betsy and Alec and all of that crowd, which was great, and we shared stories and jammed a little, which went well. I didn’t stick around too long, for supervillain reasons (and also, they had a lot of tracking to do in their studio session and a limited number of hours in which to do it), but it was fun.
Annnnnd maybe, with a bit of luck, something might come of it this summer. Maybe. Y’never know.
The Digital Reader has an article up on how the new Nook Tablet 7 comes preloaded with some of the most complete rootkit/malware/spyware packages on the planet, which is a tough competition.
Here’s a more complete technical overview on Linux Journal, but the short form is burn it with fire, or, to quote page three: “Realistically, the only safe way to use the BNTV450 would involve a format of the eMMC, and the installation of a third-party ROM, should one become available.”
For bonus points, it’s still vulnerable to the utterly amazing Stagefright exploit which made such news last year. Nice.
So, yeah. If you have one of these, or receive one of these, do not use it at all. Don’t even turn it on. Take it back for a refund immediately. Sorry.
ps: I am no longer surrounded by floppy diskettes. Thank the gods. But check out this floppy diskette that, perhaps unsurprisingly, I could not recover:
That’s not reflection: that’s light showing up through the diskette. Is that nuts or what? This is a 5.25″ floppy diskette pulled from its envelope, showing that somehow, on both sides, the media in those tracks got scraped off down to the clear plastic underneath.
I now have a little collection of media I refer to as ULTRAFUCKED, and this one is their god.
Seriously, this is like the canonical hard drive head crash. This should be some sort of textbook photo or classroom example piece. It’s goddamn beautiful in an elegant-termination way.
If the canon Widowmaker from Overwatch made a hard drive crash, this is what it would look like. Pow.
I’m just glad this was not a studio hard drive. It was one of the old laptops, and had failed a couple of years ago – did I mention that I am dead serious about cleaning out acres of old junk going into the new year? Well, I am.
But… damn. This is almost worth keeping.
All this old computer stuff I keep talking about is going up on eBay in various forms. Those auctions will be over here, and all the starting bids are way low, because the whole point is to clear all this out. I’ll be adding more items hopefully daily.
But! That Amiga 500 I’ve been talking about… that’s a bit tricky. It’s better as a unit than it would be as pieces, but the weird wooden case is a problem, and there is no case anywhere else that could be used and keep the system intact. I could take it apart and sell the pieces, and that would probably get me the most money, but frankly, I’d much rather keep it together.
You can probably see where this is going.
I have a highly-customised Amiga 500 with ECS chipset, FlickerFicker/deinterlacer/scandoubler card, 3.5 megs of memory, 14.3Mhz processor (double-speed) with cache, a two-slot Zorro II card cage, SCSI/memory expansion card, third-party high-quality power supply… and a completely goofy wooden tower case made out of lumber, because there is no mass-market case in the world that would hold all this. The hard drive may have just died, but the rest is still fine.
Does anyone out there know any collectors or retrocomputing enthusiasts who might be interested in this monster as one big piece? Seriously, you will not find many Amiga 500s with detached keyboards and Zorro II slots.
Shipping it isn’t a question. Just… no. And you don’t have to take the case, but you won’t find one that will deal with this configuration – you’ll have to build something.
So if you know any Amiga enthusiasts, have them talk to me. I’m not asking eBay parts price, but particularly things like the scandoubler actually do draw some money, so I’m hoping for a couple of hundred dollars. A lot less than you’d pay to assemble it, but well above zero.
Most of the other pieces, I’ll be eBaying. But this… I’d rather find somebody who can take it all in one piece. Thanks.
Sorry for no blog posts – it’s end of the year cleanup, and archiving, and I just found another old hard drive of dubious origin, so old the ichor of elder days has dried to dust, so I am of course trying to image it, because where else are you going to get ichor powder in this market?
Something has to drive the eldritch wheels of creation, after all.
This is what’s left of the rubber feet of my 1994 Commodore Amiga 4000/040.
Yep. That’s a viscous tar-like residue that ran along the bottom of the case and into the gap between the bottom case and the cover. It’s very sticky and resistant to detergent, but, fortunately, not to citrus-based sticky tape removers. Isn’t it gross? I mean, seriously, doesn’t this look like some sort of OOZE OF SATAN special effect?
Oddly, the stickytape used to hold the rubber feet on was intact! And, as far as I can tell, fine. This actually saved me a lot of cleanup, because the cores of the old feet were pretty solid? The further I removed down, the more like rubber it became. The thickest material had an actual rubber-like consistency.
Fortunately, all the rubber that ran could be cleaned up pretty easily with an old spudger and a lot of orange oil. But goddamn.
I’ve repaired tube equipment from the second world war and this is the most bizarre materials degradation I’ve ever encountered.
We’re going to the movies tonight, so here’s a question that was fun on Nick Mamatas’s account: name three movies you love that “everybody” just hates. Or loathes or whatever.
My three: Brain Candy (tho’ that’s at least partly “nobody saw it” I think); it’s a bit of a stretch to say “love,” but I do at least legitimately like The Magic Christian; and Speed Racer. Absofuckinglutely Speed Racer.
I wanted to make a Pharah (from Overwatch) helmet for Halloween. I’ve never worked with armour before, so I went to a workshop at VCON to learn the basics, and started trying to find a design online.
This … sort of exists? I one person who would let you download their pattern for “free” if you signed up to back their Patron for some level, which is not free, and kind of annoyed me. And I found another non-authorised pattern being listed for sale at £35. (Kind of smelling a scam there.)
So I started poking at it myself and wow yeah this is not easy, which explains the paucity of Pharah cosplay I have seen, because damn. I went through a couple of complete-failure papercraft attempts and decided, “okay, I’m gonna wireframe this, by which I mean, with actual wire.” And that got super-frustrating and SOLARBIRD ANGRY! and I kind of quit and then I picked it back up a little later and suddenly it kind of started coming together.
The liftable mask isn’t really right and also wants to be both larger and smaller to be correct at the same time, because fuck you CGI, but it’s… in the neighbourhood. And even wearable! It fits on my head! And stays on!
I cut a couple of papercraft element pieces using the wireframe as a pattern and they are very different to my straight-to-paper attempts, so I wasn’t even close before. I just don’t have an intuitive grasp of how bends in 3-space affect projections into 2-space I guess. So this really is how I’m going to need to do it.
Obviously it’s too late to finish this year, but I think I’ll keep working on it. I’d like to at least get the helmet together, right? That’d be neat.
Ever wanted to hang out in the Slytherin common room, or Gryffindor’s, or any of the other houses? Or, maybe, on a balcony in Rivendell? Madam Vastra’s arboretum, perhaps? Or maybe a snowy day in Skyrim?
Well, y’can’t. But I did just stumble across an ambient sounds site that will let you make the room you’re in feel a bit like those places might, by creating the right audio environment. It’s called Ambient Mixer, and it lets you set up your own environmental soundtrack, as well as both play and modify those set up by others.
It’s pretty neat – it works by playing public domain sound samples that you can set up to loop, with things like placement and randomisation so it’s not just the same 120 seconds or whatever over and over again. So occasionally you’ll hear someone through the room, or pages in a book might turn, or the fire might make occasional other noises, the wind will pick up outside, or you’ll hear a hawk – and so on.
In some cases, it works really well to turn off any of the specific instruments if present (like the ‘spirit cello’ in Skyrim) and play it along to the soundtrack album, if one is available. I’m doing that right now, combining the Skyrim snowy day ambient audio with the OST, and it’s astonishingly effective.
It’s fun to play with, and certainly soothing. Also, it’s reminding me real hard right now about how much I miss Skyrim and am looking forward to the PS4 remastered version coming out soon. Because damn, that was a great game.
Whelp, wave one/two are mostly past us, and so far, we’re still up! We had three short outages overnight, but nothing the UPSes couldn’t handle – the longest was about 10 seconds long, nothing actually serious.
Tonight could get dicey in the early afternoon; tomorrow afternoon, though, will be the biggest event. It’s a separate system, we aren’t in some kind of eye; Songda doesn’t have an eye any more, and is continuing to weaken. They’re thinking more “2006” than “1962” at this point, so those winds will most likely top out in the 90-100kph range.
Still, in 2006, we lost power for two days, and neighbours lost theirs for nine. So it’s still to be taken seriously.
I’m still working on a project for some people in Great Big Sea fandom, helping them recover a badly-degraded cassette recording of a concert from 1993. It’s… wow yeah, it’s a mess. Definitely one of those, “I’ve got this to the point where it’s… pretty bad! But here, listen to the original for comparison…” projects. I think I’ve managed to make wide sections of it listenable, in that you can make out lyrics pretty much all of the time now, you can hear choruses, the weird continuous rumble is gone, the particularly fierce for some reason tape hiss is gone, things like that. But damn, the distortion is pretty fierce at times. I’m pretty sure they were overdriving the microphone.
Here’s the plugin stack, from memory:
- repetitive noise reduction (-18db)
- MASSIVE LEVELS AUTOMATION OH MY GOD YOU DON’T EVEN WANT TO KNOW
- low pass filter (more hiss)
- high pass filter (rumble)
- 10-band bandwidth-adjustable equalisation (with deeply gnarly settings, this was not a good recording)
- multi-band compressor (to reduce crowd noise as percentage of signal)
right about here it starts to sound like a normal, if low-quality, recording
- second 10-band bandwidth-adjustable equalisation (basic general EQ)
- second low pass filter (because asymmetrical EQ curves aren’t a thing)
- standard compressor (oh look something almost normal!)
- 20-band notch equaliser (fixing dents in the curve, I thought, “let’s try this” and it worked)
- some very short-duration reverb to hide many remaining sins (waveform smoothing)
- fast look-ahead limiter on master bus (kind of a circuit breaker, for peak protection, should do absolutely nothing) and done.
It’s kind of a lot. The automation in particular is pretty hilarious – the recorder had automatic recording level adjust and they used it (NEVER USE THAT) and I’m kind of undoing all of that the best I can. I’m also fixing dropouts, stuff like that.
(Seriously, never use automatic recording level, I’m pulling entire lines of songs back out of noise.)
If any audio engineer is reading this: I know. I know. But I can’t combine those EQ passes, I tried – the processing between them matters too much. And of course, this is a no-pay project, because it’s fannish – but I volunteered, and every time I do one of these things, I learn something.
Okay, now we’re getting more power flickers, so let’s post this while we can still echo it around. Adventures!
Legend of Korra fandom has been exploding a bit since Mike Dante did an AMA on Reddit over the weekend – oh, hi, we’re back from VCON, by the way – with commentary like this:
Also, apparently the comics start literally seconds after the end of the series. I mean literally seconds:
I knew exactly where I wanted to start – moments after the finale ends, with Korra and Asami entering the spirit world…
So yes, I think it’s fair to say that all of us deeply into this fandom (remember, We’re Not Friends/The Future Has a Place is explicitly about the fandom reaction to Korra and Asami being a canon couple) are pretty buzzy right now. C’MON C’MON C’MON C’MON GIMMIE 😀
I’ve heard that some people are having trouble with PayPal through Bandcamp? If that describes you, drop a comment and I’ll contact you in email about alternative arrangements. We can do this, I promise.
Anybody else going to PAX today? I’ll be showing up with the shiny new PocketCHIP I supported in Kickstarter! I just got it, barely know how to turn it on, the flail will be hilarious in the handheld gaming area. But I’m bringing it! 😀
NEW SINGLE HERE! Read about and play it!
Really, it’s not, but I just won a game in Overwatch (Hanamura, Attacking) literally solo by going to the second objective and SITTING DOWN ‘TIL VICTORY because NOBODY NOTICED I WAS THERE.
It was hilarious. I was looking at their advance guard from behind and going, “don’t turn around, don’t turn around, don’t turn around” and they didn’t until suddenly the VICTORY! banner appears and everybody is going WHAT THE FUCK JUST HAPPENED?!
This is even better than yesterday’s game as Pharah (the rocketeer) where – in a round we lost, actually, but I don’t care – a Roadhog grabbed me with his chain and yanked me down to him, except my ultimate was ready so I was all JUSTICE RAINS ON YOUR FACE
it would’ve looked a lot like this, only MUCH CLOSER
pretty sure piggy wasn’t expecting that XD
In actually band-relevant news, I think I have singers for the chorus of “We’re Not Friends” now. Neither are 100% definite but both are very likely. Hopefully we can record next week!
Still thinking on another title tho’. I mean, I actually like the title as it stands? I’d really prefer to keep the title sometime from the lyrics and that’s the best title line in it. But negative titles don’t get the “play” button hit, so there you are.
hee hee hee sitting my way to victory XD XD XD
Watch this. No, seriously, watch this, the transition masking alone will blow your mind. It’s a Disney fan AMV, and it’s got something from pretty much every Disney animated picture since 1989, plus a few others, and it’s great. You will feel happier after watching it.
This is pretty cool – a cardboard company and Fender Guitars got together to make a one-off cardboard guitar. And sure, it’s promotional video, but it’s an cool looking end product.
I love how you can see through so much of it:
They don’t tell you much about engineering for strength, but I have some thoughts, because where you can’t see through it tells you a lot about how they made it work. You can clearly see the truss rod, common to all metal-strung guitars. But there’s also a keel added in back:
And the one through-shot of the head shows how – surprisingly – the tuning knobs may have a backplate, but they do not seem to be attached to the neck bracing. That’s just the cardboard.
I’m more curious about the sudden change in the finish between shots, right after they’ve sanded the body into the shape they want. They put a lot of something into it, and I really doubt that’s just lacquer.
Hardeners, maybe? I don’t know. But I don’t see how it keeps the edges of its form across plays without some sort of chemical additive. And I’m really curious about the string bending being done by some of the players – doing that against that texture looks really messy, but they’ve got it going – is it just fret pressure and nothing on the board, or is the top layer filled with something transparent?
Don’t get me wrong; I’m for it. I think it’s Neat, with a capital N. Frankly, I think it’s gorgeous, and I can only imagine how little it weighs. Getting a bass built like that might be amazing, if the cardboard has been made durable enough. I’m just wanting more details on what it took to make it work.
(h/t to George P. Burdell III on Facebook for the link)
Minion Anna had family in town for a few days; we’ve been showing them around town and also took them to see Ghostbusters, which is why I haven’t been online much. (Holtzmann is now my crazy crazy movie science girlfriend! ♥)
Playing tourist host is really quite odd; it makes your own town feel like some sort of theme park. But I’d never gone to the Chihuly Garden at Seattle Centre before, and that was really rather more interesting than I’d expected. I took a bunch of pictures, here are some of the ones I liked better.
I did a lot of vocals recording Monday – some tracks I intend to keep, some more or less placeholders, scratch tracks for other vocalists – all on the new system, all at the absolutely goofy 0.7ms buffer setting, just to see if the system would actually work, being driven that hard all the time, over hours.
It hiccoughed a couple of times. Nothing involving data loss – after waking back up from screen lock mode, the audio subsystem had to be restarted by me, rather than coming back up on its own. I need to disable screen locking anyway. Once during some playback, I heard a momentary pause, though no XRUNs showed up in the status monitor, so I’m not sure what’s up with that.
I should probably, I dunno, step back a bit? Give it some margin for error? But so far, I’m not being forced to.
In other news, all 39 episodes of Revolutionary Girl Utena are legally on YouTube now. YOU HAVE NO MORE REASONS TO DELAY AND MAY START WATCHING NOW.
(Because jfc the chemistry between Utena and Anthy is smokin’ right out the goddamn gate. I do not like the series’s ending, because reasons addressed pretty directly by Avatar: The Legend of Korra, but everything up until that is amazing.)