This Sunday I’m going in to Someone Else’s Studio for what is really technically an academic exercise; the lead singer/songwriter of Leannan Sidhe and her group need someone to record for… it’s not a graduation exercise? But she’s very close to graduation and it’s a big project.
So I showed up yesterday and met with her and her two co-engineers, and poked around at songs to do, and we pretty quickly settled on “Supervillain For I Love You,” which I’ve just recently revised (and I think improved, which is pretty typical for my work as I perform it) and we start talking microphones.
And turns out they’re really into this song, apparently, because suddenly they were all talking about who else they can bring in and how big a band we can assemble, and now we’re in the large studio and besides me and my zouk and the chorus there’s a bassist and a pianist and a guitarist and possibly a horn section and they were working out a drumkit part I think that’s all but I’m not entirely sure.
Now as this is happening I realise, I’ve seen this before, on video, where, you know, Real Musicians Are In The Real Studio, because let’s face it, as happy as I am with the little one I built, it’s still a tiny studio and I can only play so many instruments, and only one at a time. I’m usually working alone.
So this Sunday may in fact be – outside voiceover and radio work, of course – the most “pro”-like recording experience I’ve ever had. Eep?